My previous body of work focused on underwater photography of anonymous human figures.

It explored aesthetics, darkness and physical presence, and was widely exhibited and awarded internationally.

 

This work was an important phase in my practice.

At the same time, it gradually led me to a different question—less about the image itself, and more about what conditions perception.

 

Rather than continuing this trajectory, I chose to consciously conclude that body of work.

The current practice emerged from this decision and represents a fundamental shift:

from image-centered aesthetics to perception as a spatial and temporal condition.

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The earlier work remains complete.

The present work begins elsewhere.