The artist’s practice investigates perception as  a spatial and temporal condition.

Working with photography, the work constructs reduced image spaces in which seeing itself becomes the primary experience.

 

Landscape is approached not as a place or subject, but as a perceptual structure.

Through reduction, stillness, and material sensitivity, the work shifts attention away from representation, narrative, and symbolism toward presence and duration.

 

The current practice unfolds through several interconnected series—

Horizontal State,  Surface State,  Marked Presence, and  Immersed State.

Each series describes a distinct state of seeing:

orientation, transition, intervention, and immersion.

 

Photography functions here not as depiction, but as an instrument of inquiry.

The work does not ask to be interpreted, but to be experienced over time.